February 22 - Going for Baroque and Beyond


D Major (2 Sharps - F#, C#

D E F# G A B C# D


A Major (3 Sharps - F#, C#, G#)

A B C# D E F# G# A


E Major (4 Sharps - F#, C#, G#, D#)

E F# G# A B C# D# E


E Minor (1 Sharp - F#)

E F# G A B C D E


Three Typical Genres of Baroque Music - and Characteristic Movements

Suite
Overture
Dance I
Dance II
...etc.

Opera
Overture
Recitative
Aria - Duet, Trio, Quartet, etc.
Chorus
...etc.

Concerto
Fast
Slow
Fast


Birth-Death Dates for J.S. Bach, his 3 stylistic periods (cities of activity), 
and characteristic music written during each time

J.S. Bach - 1685-1750
Weimar - Organ
Cothen - Instrumental
Leipzig - Vocal


Listening

[8567] Claudio Monteverdi - Vespers: I. Deus in Adjutorium
                                                      (God is in this place)

[8585] Heinrich Schutz - Saul, Saul

[8659] Henry Purcell - Dido and Aeneas: When I Am Laid in Earth
                                                         (Dido's Lament)

[8678] Antonio Vivaldi - Gloria: I. Gloria

[8685] J.S. Bach - Organ Fugue in G Minor ("Little")

[8685] G.F. Handel - Messiah: Hallelujah

***


Renaissance and onward with the Music Historians,


meeting them by


heading


down


the


legendary


freeways


and


byways;


returning


divertingly,


dizzingly,


multiple 


back


roads,


all


cardinal 


points,



leading


eventually


spectacularly


north


on


680...


to compose page 6 Ezra Pounds, Op. 263: I. Exile / Return (Ezra / Nehemiah),


on the


50th day of


spring,


high down 4


to 57...